After Hunters since the beginning of time (FID 2008), Carlos Casas confirms his attraction to the edges of the world, and his distaste for contemporary crowds and their bustle. He prefers to film the eye of an elephant, or its skin, with its shades of grey and green matching the bark of the huge rainforest trees, or the gestures of its mahout preparing for the last trip that wi...$跟着暖气差点睡过去。到后面也不知道大象怎样了。$试图建立一种阿彼察邦式的诗电影结构，在我看来失败了。$画面和音乐全都取材于自然（甚至是时间各地的），成为电影的重点，导演似乎更重视观众观影时的感受。第一部分就像是BBC会拍的记录片，用影像客观地保留下濒临灭绝的大象和一人一象一生的bonding。第二部分似乎自然有了自己的意识，变成了它的视角去记录四个逐象人在雨林中走向死亡。第三四部分，视角再次变换了，观众好像在睡梦和死亡之间，窥探（有2段几乎全黑全白，只能模糊看到一些轮廓）大象的墓园。$I adore adore submit myself to Casas' decision to display in length scenes with very low light!$The natural time is detached from cinematic dimension to the most extent; what is more, the background music is so Sakamoto and I cannot help loving it.
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