都說勇者無懼。輕歌劇原是當年已然式微的物事，劉別謙逆流而上一再帶到水銀燈下，竟成為開創荷里活歌舞片的大功臣。第二部司花利亞與珍娜．麥當奴的鑽石組合，重拍已成經典的《迴轉姻緣》。劉別謙原意只充當監製，導演筒假手佐治寇克。開拍不到一周，節奏亂套的毛片沒法通過我們超高班監製的關口，一聲令下劇本重寫影片自己接手重拍，演員與編劇不但沒怨言甚至還皆大歡喜。故事與原作大同小異，形式卻南轅北轍，司花利亞的演繹更傳神抵死，一曲＜美芝＞妙得神魂絕倒。大小配角心思中見豐富血肉，劉別謙與編劇拍檔拉弗遜的化學作用開始顯現。
This oscar-nominated musical remake of The Marriage Circle was originally George Cukor's baby, but Lubitsch took over the helm, resulting in a famous lawsuit. However, Cukor later conceded: "I could never make a Lubitsch film." The scene is transposed from Vienna to Paris, and focus shifted from the unhappily married "philanderess"' schemes to steal her best friend's husband, to revel in the sheer verve and sexual desirability of Chevalier and MacDonald - both to others and to each other. Overlapping lines, recitative song interludes and Chevalier's direct address to the camera invite audience complicity in the characters' transgressions and set the film apart from "all-singing" Hollywood musicals.
Source: 28th HKIFF One Hour with You，歌词写得不错$第5届奥斯卡提名，经常打破银幕出来和观众互动，有点意思，小幽默，小反转，都是刘别谦的拿手好戏，将夫妻之间互相出轨演绎的妙趣横生。缺点是格局太小，人物太脸谱化，特别是女主角的智商实在捉急~~~$艳史第四部，稍逊色《璇宫艳史》一丁点。还是那两位，happily everafter之后的婚姻生活，善意地嘲讽了个够。双方密友竟都是撬墙角的贼人。有意思的是，女人知道真相急于小事化大一报还一报，男人知道真相却因Ego作祟自作聪明不相信...天生一对宝$和刘老师的其他作品比较起来~ 实在有点逊色。。。$太狡猾的迅速结了尾 再过10年 都没法用这么简单的逻辑打混过去了吧
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