For those unaware of Reiniger or her prolific output, it should be immediately noted that not only was she a distinctive filmmaker but also a pioneering one. The earliest short on this collection, a version of Cinderella from 1922, describes itself as being “told by a pair of scissors on a screen” and this is exactly how she worked. Reiniger’s films were all made in a singular ...$7。@MUBI$剪纸动画类似中国的皮影戏，精致的人物造型区分；大的背景模板和渐进渐出的魔法效果同样十分生动$LotteReiniger的灰姑娘故事，亮点在宫廷华服的剪纸表达以及美辛德瑞拉和丑姐姐们的造型对比上：哪怕只有侧影，美人也还是美人.气质可以从单纯的边缘线条配合黑色来表达，是此艺术之一绝.另虽然风格上是极度喜爱，但故事却实在是中规中矩，无甚惊奇，故扣去一星.皮影戏的技艺，优在中国$超级美。问教授说导演怎么做到背景是渐变水彩色的，他说是胶片老化当时的染色自动褪色产生的。$4- You have just seen a silhouette film designed and animated by Lotte Reiniger. 非常精致的造型、底板和删减，即便只用侧影也有能充分表达。只可惜末了总难逃: "... they lived happily ever after." = =
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