The author of the film decides to leave the country where she lives, in connection with the outbreak of the dramatic events, and return home to Armenia in search of a worthy example and solutions on how to live on. Paradjanov’s house becomes a place of inspiration and a point of no return to toxic reality. Through the life and work of Paradjanov, clarifying and interpreting the...$#venezia81经典单元 Paradjanov原话是，“I will revenge Ukraine…with love.”挂羊头卖狗肉，其实是个薅俄乌交恶羊毛的片。好笑的是，还问被采访对象，拍这个片怕不怕让观众不适。哪门子不适？$#Venezia81 前半段隔靴搔癢地談極權政治和地緣政治，後半段試圖擺脫政治的前敘，借訪談者之口，讚美帕拉傑諾夫為「人性之子」。最後又回歸身份政治，一個勁地強調亞美尼亞的純潔，同時自作聰明地暗示亞美尼亞的敵人是多麼罪不可赦。炫技、濫情、混亂，一部拙劣的致敬片。另外，漢字何止兩千個，比十萬還多好吧⋯⋯$#Venezia81 Paradjanov博物馆里的艺术创作事实上都是另一种「电影」，可惜着墨不多。访谈体多少有点陈旧和水，风格的影响/承继还是挺有意思（比如，意想不到的是Lady Gaga - 911 ）。
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