With his nineteenth feature film - an incredible number given that he didn't appear on the scene until 2001 and also has a number of shorts, television projects and anthology projects to his credit - Malaysia's James Lee returns to the sort of arthouse drama where he made his name. Lee has worked a great deal in commercial film in recent years, enough that it's easy to forget h...$#BIFF# 讲一个没有父亲的家庭如何土崩瓦解。前半部分倦怠而苦闷，而结局有突如其来的暴力和乱伦式（准确的说，应该还是“互相慰藉”）的性爱。$挺哈内克？
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