Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their attention on hands. Using film extracts, Farocki explores this visual language, it's symbolism, Freudian slips, automatisms and its music. Often, hands betray an emotion which the face tries to dissimulate. They can also function ...$從格式塔學派到語義飽和，再聯想到吉良吉影和手。$on Youtube, RM 327$终于有英字了
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