Nicolás Zukerfeld’s third feature is a wry, surprising work of filmmaking-as-criticism that begins as a kind of supercut of moments from the work of pantheon Hollywood auteur Raoul Walsh. This rhythmically entrancing parade of images traces a mysterious and amusing arc across the director’s vast oeuvre—but at the halfway mark, the film reinvents itself as an idiosyncratic, essa...$个人趣味来剪辑再创作的评论式电影，短小有趣$影像部分有趣 尤其开头扣题段落 ； 评论部分难以忍受的聒噪 直接静音了。$7。#IFFR2021# 有讽刺的笔调，没想到基本黑屏的后半段“阅读”竟然更有趣，也有文学的味道$电影方法论却又非常私人的观影感受，第一段类似György Pálfi爱情最终剪之后完全静默画面的观影笔记复盘，让不同类型的两部分变成一个充满立体结构的场景解析过程，而Raoul Walsh泉下有知的话也绝对会被自己这么多匹马笑醒…^ ^$+
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