The camera observes an American motel along the main highway – just the way many of us imagine the United States. We follow four people inside the room at night, where they have been living in a kind of private purgatory for several years. Their sins are drugs, crime, and bad decisions. The slow flow of scenes and the occasionally blurred image create an atmosphere of being out...$用三个汽车旅馆中的住客， 解构了已经沦为残羹剩饭避难所的“美国梦”。汽车旅馆似乎成为美国经济衰退的隐喻，与电影不同的是，美国梦在现实银幕上已经破灭。“德州巴黎风格”的摄影更加烘托了这种和谐的不和谐。
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