Shot in a creaky, wooden-floored Parisian recording studio at an inaugural three-day “forum of ideas” focusing on the manifold possibilities of “Resistance” (the title of Jean-François Lyotard’s unrealized follow-up exhibition to his 1983 “Les Immateriaux”), occasional collaborators Ben Rivers and Ben Russell have produced what initially appears to be a structuralist document o...$Intruders & troublemakers from the digital heterogeneous world.$how to fuck film with digital$认真说话$三维$3.5
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