Mark Rappaport's second feature film (amongst a remarkable string of off-beat, experimental narratives that runs from CASUAL RELATIONS to CHAIN LETTERS) takes off from the deliberate anachronism of using modern props, performance styles and attitudes to evoke the romantic entanglements of the young Wolfgang Amadeus Mozart (Rich La Bonte) with three sisters: Constanza (Margot Br...$一切都很巧妙，说实话。构色构图都很实验片，结构、几何、三原色、无运镜等等；但其实就恰恰巧妙在拙劣草率（我是指 — 一看便知大部分是画布布景，实际上也挺美）的舞台布景上，随机掐断音轨播放演员自己唱出来的糟糕透顶的声音，就是在说：莫扎特 虚妄 和 一股天真narcissist的“爱即一切！”吧
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