“I had the idea to call my film ICI ET MAINTENANT, because the cinema is exactly the contrary of the here and now. The cinema is always elsewhere and before…It seemed important to rediscover the magic of the present, that is the here and now. I wanted the spectator during the film to return to himself and thus not to participate in the usual process of identification where he i...$六十年代末法国好像有好几位像Serge Bard这样只拍了一两部实验片就消失的导演，还都喜欢黑白过曝画面。介绍里反映出一点激进倾向，但屏幕上看到的就是对日常场景的操作，结果为它们添加了神秘主义色彩
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