Films Imaginaires (Imaginary Films) consists of texts from a range of works that had already been published here and there, and that were included in the revised edition of my collected Cinematic Works. I filmed these texts and converted them into intertitles for projection. The conversion of these texts to frames of film, and their subsequent projection, transforms these “film...$对创作称之为电影的否定，同Au-delà du déclic (1965)，人声噪音对阅读文字的干扰$感觉比情景主义又进了一步。横线上下两种文字的并置，文字和画外音的并置。
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