Joanna Hogg’s third film has been a buzz-magnet on the recent festival circuit, drawing comparisons to Haneke, Tarkovsky, Malick, Antonioni, and Akerman. A well-off, artistic West London couple identified only as D (she) and H (he) find their already tenuous relationship threatened by the impending sale of their home. Through coolly meticulous compositions and sound design, Hog...$整个电影感觉就是讲artist是如何自己作自己的YY，丈夫是建筑师，妻子是艺术家，两人在非常形式的房子里住了十五年。然后妻子和丈夫开始互相作，最后他们将房子卖掉，两人关系转好。镜头简洁，衔接流畅，导演功底了得，将此类题材影片的耐看性保持在水准上，且充满隐喻和意向。【抖森就是酱油好么==$Joanna Hogg和侯麦相似的地方是都局限在白人中产的圈子里，还有有限的场景，自己的经验，这部浪费了Liam Gillick，完全站在Viv女性的角度观察两个艺术家能否一起生活。下周再去看看抖森演得较多的前两部。放完一个老太问Joanna：“这部电影怎么搞的，怎么会这么慢，我也爱看慢电影，但这部特别慢”$神奇的房地产经理汤抖森。$小哥，我要买房子。$女主是...The Slits的吉他手...这才叫逆生长...大娘已经60了还跟30似的...
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