An unmistakable master of the intersection between documentary and narrative, Mark Rappaport easily ranks among the great filmmakers of our time. As Jonathan Rosenbaum noted in the introduction to his Cineaste interview with the director from 1996, "Rappaport virtually invented a new form of film criticism in ROCK HUDSON'S HOME MOVIES, a melange of clips and commentary..." FROM...$Rappaport尝试用影像书写银幕上的女性形象。仅仅为女性角色掀开面具，唤醒她们在影像背后的声音是不可能的，只能是虚构一个女性的主体，创造一个有强烈自我意识的Jean Seberg，她是电影史中一个被想象的女性银幕形象的集合体，也是个人史中的流行文化符号和挣扎的女性。这两个形象同样由表演、影像和声音所虚构，Seberg的银幕形象与由演员在这部“纪录片”中所扮演的Seberg碰撞，两个形象相互浸入...$从Jean Seberg的一生发散，由男性书写，女性讲述的电影史，用特写连接male gaze，我们审视她们也就是审视自己。但到底还是被一位男性导演重构和转述的。“I look at each individual spectator as if I’m sharing something with him, but what is it that we’re sharing? My expres...$悲催！
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