Lucian Pintilie's first film, Sunday at 6 O'clock (Duminica la ora 6, 1965) , one of the few Romanian modernist auteur films. The story, about a couple of young, anti-Fascist fighters who are persecuted and killed by the Iron Guard [2] after being betrayed by one of their own, meets the requirements of socialist realism to a point. The film's style, however, takes on a life of ...$7。看后忘写评，过久便忘了$啊简直是神作啊！简直是新浪潮的法国片了，估计平蒂列心里想的是克里斯·马克的[堤]，这么强悍的一个心理结构和讲得摇曳生姿的故事实在是美妙极了。不断重返创伤情境的剪辑方式和声音的创造性运用都很值得一说。比平蒂列后期作品好看太多了！！！$平蒂列的导演处女作，既照顾了当时社会主义现实主义的取向，又清新生动带有新浪潮气息。絮语串联起故事片段，平静表面下涌动波澜，两位革命青年的感情发展频频被暗示严酷环境的镜头切割，电影最终像另起一行一样结束于他人的背叛$https://www.youtube.com/watch?v=TbrATgh_Sx8$另类的反法西斯战争片，男主角被一个女子诱骗到海边被铁卫军逼上绝路，一脸的无奈。
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